Suchan Kinoshita
Suchan Kinoshita | |
|---|---|
スーチャン・キノシタ | |
| Born | Susanne Margarethe Erika Kinoshita November 9, 1960 Tokyo, Japan |
| Alma mater | Hochschule für Musik und Tanz Köln Jan van Eyck Academie |
| Movement | Visual artist |
| Awards | Prix de Rome (Netherlands) |
Suchan Kinoshita (Japanese: スーチャン・キノシタ; born November 9, 1960) is a German-Japanese visual artist. Her mixed personal and artistic background has heavily influenced her work.
Early life and education
Kinoshita was born November 9, 1960 in Tokyo and grew up in Japan with a German mother and a Japanese father.[1] She studied at the Hochschule für Musik und Tanz Köln (Cologne Academy for Music and Dance) from 1981 to 1985 and the Jan van Eyck Academie in Maastricht from 1998 to 1990. In Cologne she was taught by the contemporary composer Maurizio Fagel.[2][3]
Career
From 1983 to 1992 she was associated with the Theater am Mariënplatz in Krefeld, where she acted, directed her own plays, and made props.[1] From 1988 to 1990 she studied at the Jan van Eyck Academy in Maastricht and taught a postgraduate study program. In the early 1990s she emerged as a visual artist with the exhibitions De Fabriek, in Eindhoven and Open für N in Krefeld.[1] In 1994–1995 she participated in the PS1 exhibition in New York at the Museum of Modern Art (MoMA). Kinoshita returned to Maastricht to teach in the postgraduate program at the Jan van Eyck Academy.[1] She lives and works in Brussels and Münster, teaching painting at the Münster Academy of Art since 2006, where she is also deputy headmaster.[2][4][5]
Work and themes
Kinoshita's work is displayed in many public and private collections, including: Museum Boijmans Van Beuningen, Rotterdam; Bonnefanten Museum, Maastricht; de Vleeshal, Middelburg; Museum Het Domein, Sittard; Chisenhale Gallery, London; Musée d’Art Contemporain, Lyon; Museum of Contemporary Art, Antwerp; and Stedelijk Museum voor Actuele Kunst, Ghent.[6]
Kinoshita grew up between two different cultures and trained in various artistic disciplines. Her work blends elements from her background in experimental music and theater. With her performances and installations, almost all of which are distinctly interdisciplinary, Kinoshita presents the everyday in a different form.[5][7] Kinoshita herself refers to this as "inbetween."[8][9] The various themes from her varied background can readily be seen in her oeuvre.[10]
In addition to many solo exhibitions, Suchan Kinoshita has participated in more than 90 international group exhibitions
Solo exhibitions (selection)
| Year | Name | Location |
|---|---|---|
| 1991 | De Fabriek (Factory)
|
De Fabriek, Eindhoven[11]
|
| 1991 | Open für N (Open for N)
|
Theater am Marienplatz, Krefeld[11]
|
| 1993 | Scenario, An Imaginary Piece
|
|
| 1995 | Stof (Dust)
|
|
| 1996 | Stuff
|
White Cube, London[2]
|
| 1997 | Voorstelling (Performance)
|
Stedelijk Van Abbemuseum, Eindhoven[7]
|
| 1998 | Exit
|
Chisenhale Gallery, London[13]
|
| 1998 | Meaning is Moist
|
|
| 1999 | Parallele oder Hannah, wie man sie auch nennt (Parallel or Hannah, as she is also called)
|
Städtisches Museum Abteiberg, Mönchengladbach[13]
|
| 2000 | 0031-43-3438746
|
Shiseido Gallery, Tokyo [2]
|
| 2002 | Het moet dinsdag ochtend zijn geweest (He wanted to see you this day)
|
Ellen de Bruijne Projects, Amsterdam[7]
|
| 2002–2003 | First marriage
|
|
| 2006 | Yukkurikosso yoi (The slower, the better)
|
|
| 2006–2007 | Das Fragment an sich (The Fragment in Itself)
|
|
| 2007 | Luidspreker (Loudspeaker ) Plug In#14
|
|
| 2007 | Skulptur Projekte (Sculpture Projects) "Chinese Whipsers"
|
Schauraum der Handwerkskammer, Münster[16]
|
| 2010 | COMMA 25
|
Bloomberg Space, London[17]
|
| 2010 | In 10 Minuten (In 10 Minutes)
|
|
| 2011 | The Right Moment at the Wrong Place
|
|
| 2011 | Stick Empathy
|
MUDAM, Luxembourg[19]
|
| 2011 | Suchan Kinoshita
|
Ellen de Bruijne Projects, Amsterdam[19]
|
| 2013 | Taking Place
|
|
| 2014 | Tokonoma , Ludlow 38
|
|
| 2015 | Operation Theatre (series of events)
|
|
| 2023 | Architektonische Psychodramen (Architectural psychodramas)
|
Group exhibitions (selection)
| Year | Name | Location |
|---|---|---|
| 1995 | Orientation - 4th International Biennale
|
Various locations, Istanbul[25] |
| 1996 | Manifesta 1
|
Various Museums, Rotterdam [26] |
| 1997 | Truce: Echoes of art in an Age of Endless Conclusions
|
Site, Santa Fé[11] |
| 1998 | Statement Art 29
|
Art Basel, Basel[11] |
| 2007 | 8th Biennale de Sharjah (Sharjah Biennial 8), Still Life - Art, Ecology, and the Politics of Chang
|
Sharjah Art Museum and various venues, Dubai[27][28] |
| 2010 | Suchan Kinoshita
|
Today Art Museum, Beijing[11] |
| 2010–2011 | KUB Arena – On Performance
|
Ruth Buchanan, Simon Fujiwara, Suchan Kinoshita, Falke Pisano, Ian White: Kooperative für Darstellungspolitik (Cooperative for Representational Politics), Kunsthaus Bregenz[29][30] |
| 2011 | Impossible Community
|
|
| 2012 | Beyond Imagination
|
Stedelijk Museum, Amsterdam[11]
|
| 2012 | The Collection XXXII – Personality Test + The Book Lovers
|
MuHKA Museum voor Hedendaagse Kunst, Antwerp[31]
|
| 2012 | EXTRA MUROS: Traces. Similarities and dissonances
|
Kringloopcentrale, Antwerp[32]
|
| 2016 | Art Brussels 2016
|
Nadja Vilenne Gallery, Brussels[11]
|
| 2016 | Behind the curtain. Concealment and Revelation since the Renaissance. From Titian to Christ.
|
|
| 2016 | See how the land lays
|
|
| 2016 | Tokonoma in From A to K
|
|
| 2017 | Superdemocracy – The Senate of Things
|
de Senaat, Brussels[33]
|
| 2018 | EXTRA MUROS: Geel - Middle Gate II - The Story of Dymphna
|
|
| 2018 | Freedom - The Fifty Key Dutch Artworks Since 1968
|
|
| 2021–2022 | EURASIA - A Landscape of Mutability
|
M HKA, Antwerp[35]
|
| 2022 | Risquons-Tout
|
Prizes
| Year | Prize | Notes |
|---|---|---|
| 1992 | Rijksakademie, Netherlands[36]
| |
| 1999 | Edmond Hustinx Prize for Visual Arts
|
Edmond Hustinx Foundation, Netherlands[37]
|
| 2010 | Fine Arts Prize
|
Das Kuratorium der Kunststoffindustrie, Germany[20]
|
| 2025 | BelgianArtPrize
|
La Jeune Peinture Belge - De Jonge Belgische Schilderkuns, Belgium[38]
|
References
- ^ a b c d "Suchan Kinoshita". M HKA Ensembles. Archived from the original on November 16, 2025. Retrieved November 7, 2025.
- ^ a b c d e "Suchan Kinoshita". Nadja Vilenne. February 6, 2016. Archived from the original on November 22, 2022. Retrieved November 7, 2025.
- ^ "Alumni". Jan van Eyck Academie. Archived from the original on November 1, 2025. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita at Westfälischer Kunstverein, Münster". Hidde Van Seggelen. Retrieved November 7, 2025.
- ^ a b "Suchan Kinoshita" (in German). Landschaftsverband Westfalen-Lippe. Archived from the original on January 12, 2016. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita". Ellen de Bruoijne Projects. Archived from the original on November 8, 2025. Retrieved November 7, 2025.
- ^ a b c d e f "Artists 2022-2023" (PDF). PAKT. 2022. Retrieved November 7, 2025.
- ^ "Suchan Kintoshita Tokonoma". Nadja Vilenne. Retrieved November 8, 2025.
- ^ "Suchan Kinoshita Detournement". Nadja Vilenne. Retrieved November 8, 2025.
- ^ "Meet Suchan Kinoshita: the 2025 BelgianArtPrize winner". Merode. June 23, 2025. Retrieved November 8, 2025.
- ^ a b c d e f g h i j k l m "Suchan Kinoshita" (PDF). Nadja Vilenne. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita Stof". Vleeshal Center for Contemporary Art. Archived from the original on November 14, 2025. Retrieved November 7, 2025.
- ^ a b c d e "Suchan Kinoshita". Center for Art and Media. 2007. Archived from the original on August 12, 2011. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita — First Marriage 14 December 2002 - 23 February 2003". M HKA Ensembles. Archived from the original on May 18, 2025. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita, Das Fragment an sich (The Fragment in Itself)". Ikon Gallery. Archived from the original on October 6, 2025. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita". Skulptur Projekte Archiv. Archived from the original on March 28, 2025. Retrieved November 7, 2025.
- ^ "COMMA 25". Bloomberg Space, London Mithraeum. Archived from the original on December 27, 2023. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita In 10 Minuten". Museum Ludwig. 2010. Archived from the original on December 20, 2010. Retrieved November 8, 2025.
- ^ a b "Artworks by Suchan Kinoshita". Gallery Viewer. Archived from the original on December 12, 2024. Retrieved November 7, 2025.
- ^ a b "Suchan Kinoshita". Nadja Vilenne. Archived from the original on October 16, 2025. Retrieved November 7, 2025.
- ^ "Tokonoma May 12–Jun 14, 2014". Ludlow 38. May 2014. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita THIRD & FIFTH operation" (in French). Avenu de Jette, Institut de Carton. March 30, 2015. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita FOURTH & FIFTH operation" (in French). Avenu de Jette, Institut de Carton. April 14, 2015. Archived from the original on July 9, 2025. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita at PAKT". Art Viewer. March 13, 2022. Archived from the original on June 15, 2025. Retrieved November 7, 2025.
- ^ "4th International Istanbul Biennial ORIENT/ATION–The Vision of Art in a Paradoxical World 10 November – 10 December 1995". Istanbul Foundation for Culture and Arts. 1995. Archived from the original on July 9, 2021. Retrieved November 8, 2025.
- ^ "Rotterdam 1996, June 9 - August 19". Manifesta. 1996. Archived from the original on April 8, 2025. Retrieved November 8, 2025.
- ^ Vali, Murtaza. "Sharjah Biennial 8 Still Life: Art, Ecology, and the Politics of Change". Biduon. Archived from the original on November 13, 2025. Retrieved November 8, 2025.
- ^ Lange, Christy. "Sharjah Biennial 8". Frieze. Retrieved November 8, 2025.
- ^ "KUB Arena, A performance project Ruth Buchanan, Simon Fujiwara, Suchan Kinoshita, Falke Pisano, Ian White: Kooperative für Darstellungspolitik 23 Oct 2010 – 09 Jan 2011". Kunsthaus Bregenz. Retrieved November 8, 2025.
- ^ Bailey, Giles; Meyer, Eva; Vishmit, Marina (2013). On Performance. Bregenz: Kunsthaus Bregenz. pp. 1–165. ISBN 9783863351434.
- ^ "The collection XXXII – Personality Test + The Book Lovers 07 December 2012 - 21 April 2013". M HKA Ensembles. Archived from the original on September 15, 2025. Retrieved November 7, 2025.
- ^ "EXTRA MUROS: Tracés, Similarities and Dissonants — Bie Michiels 01 March 2012 - 31 March 2012". M HKA Ensembles. Archived from the original on August 11, 2025. Retrieved November 7, 2025.
- ^ "Superdemocracy – The Senate of Thing 01 October 2017 - 31 October 2017". M HKA Ensembles. Archived from the original on July 11, 2025. Retrieved November 7, 2025.
- ^ "EXTRA MUROS: Geel – Middle Gate II – The Story of Dymphna 15 September 2018 - 04 November 2018". M HKA Ensembles. Archived from the original on November 10, 2025. Retrieved November 7, 2025.
- ^ "EURASIA − A Landscape of Mutability 08 October 2021 - 23 January 2022". M HKA Ensembles. Archived from the original on September 15, 2025. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita". EDB Projects. Archived from the original on November 8, 2025. Retrieved November 7, 2025.
- ^ "Edmond Hustinx prize visual arts". Edmond Hustinx Foundation. Retrieved November 7, 2025.
- ^ "Suchan Kinoshita receives the BelgianArtPrize 2025". BelgianArtPrize. April 24, 2024. Retrieved November 7, 2025.
Further reading
- Arink, Karin; et al. (1993). Prix de Rome 1992; Beeldhouwen - Beeldende kunst en openbaarheid (in Dutch). Rotterdam.
{{cite book}}: CS1 maint: location missing publisher (link) - Birkenstock, Eva; et al. (2012). On Performance. Bregenz: Kunsthaus Bregenz, Verlag der Buchhandlung Walther König. ISBN 9783863351434.
- Kinoshita, Suchan (1997). Voorstelling. Eindhoven: Muutal Art.
- Kinoshita, Suchan (2006). Yukkurikosso yoi: The slower the better (DVD).
- Witzmann, Ulla; Lux, Pia (2002). Hell-gruen hell-gruen – 30 Kunstprojekte im und um den Düsseldorfer Hofgarten (in Dutch). Düsseldorf: Landeshauptstadt Düsseldorf, Kulturamt. ISBN 9783000094767.
- Yukie, Kamiya (2000). Territory: Contemporary Art from the Netherlands. Tokyo: Tokyo Opera City Cultural Foundation. ISBN 492520405X.